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A French painter and printmaker, Pierre Bonnard was a post-impressionist, and founding member of the avant-garde group Les Nabis. Bonnard lived an uneventful childhood, and entered into the University of Paris in 1896 to study law.
Pierre Bonnard (French: [bɔnaʁ]; 3 October 1867 – 23 January 1947) was a French painter, illustrator, and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color.
One of Bonnard’s great innovations was to combine multiple points of view (albeit largely looking down on something from above), adding to his composition elements, usually ignored, from the peripheral vision, cropping sharply, often, according to the abstract painter Patrick Heron, losing “half, or even four fifths! …
Pierre Bonnard, (born October 3, 1867, Fontenay-aux-Roses, France—died January 23, 1947, Le Cannet), French painter and printmaker, member of the group of artists called the Nabis and afterward a leader of the Intimists; he is generally regarded as one of the greatest colourists of modern art.
Vermilion and lemon were put side by side to color the rooftops ‘orange’; a common Divisionist device. “Bonnard used viridian to great effect. He thinned it with zinc white to create the transparent acid green of the shutters and in the angled window bar. It was also used in the heavy green of the clumps of woodland.
Pierre Bonnard (October 3, 1867–January 23, 1947) was a French painter who helped provide a bridge between impressionism and the abstraction explored by post-impressionists. He is known for the bold colors in his work and a fondness for painting elements of everyday life.
Le Cannet, France